The Zohar · Shemot
זוהר, שמות ט״זZohar, Shemot 16
Section 16 of 52 in Shemot — 13 segments
Segment 1א׳
פָּתַח ר' אֶלְעָזָר וְאָמַר (קהלת ח׳:י״ד) יֶשׁ הֶבֶל אֲשֶׁר נַעֲשָׂה עַל הָאָרֶץ אֲשֶׁר יֶשׁ צַדִּיקִים אֲשֶׁר מַגִּיעַ אֲלֵיהֶם כְּמַעֲשֵׂה הָרְשָׁעִים וְגוֹ' אָמַרְתִּי שֶׁגַּם זֶה הָבֶל. הַאי קְרָא (בראשית ט"ז ע"ב) אוּקְמוּהָ וְאִתְּמַר, אֲבָל יֵשׁ הֶבֶל, שְׁלֹמֹה מַלְכָּא עָבֵד סִפְרָא דָּא, וְאוֹקִים לֵיהּ עַל שִׁבְעָה הֲבָלִים, דְּעָלְמָא קַיְּימָא עָלַיְיהוּ.
On the way, R. Eleazar started to expound the following verse: There is a vanity (hebel, lit. breath) which is done upon the earth, that there be righteous men unto whom it happeneth according to the work of the wicked; again there are wicked men, to whom it happeneth according to the work of the righteous: I said that this also is vanity (Eccl. 8, 16). ‘This verse’, he said, ‘has been esoterically explained as follows. King Solomon, in this book, treated of seven “vanities” (habalim, lit. breaths) upon which the world stands
Segment 2ב׳
וְאִינּוּן שִׁבְעָה עַמּוּדִין סַמְכִין דְּעָלְמָא, לָקֳבֵל שִׁבְעָה רְקִיעִים, וְאִלֵּין אִינּוּן: וִילוֹ"ן. רָקִי"עַ, שְׁחָקִי"ם זְבוּ"ל. מָעוֹ"ן. מָכוֹ"ן. עֲרָבוֹ"ת. וּלֳקָבְלַיְיהוּ הֲבֵל הֲבָלִים אָמַר קֹהֶלֶת הֲבֵל הֲבָלִים הַכֹּל הָבֶל.
namely the seven pillars which sustain the world in correspondence with the seven firmaments, which are called respectively Vilon, Rakia, Shehakim, Zebul, Ma’on, Machon, Araboth. It was concerning them that Solomon said: “Vanity of vanities, said Koheleth, all is vanity” (Ibid. 1, 1).
Segment 3ג׳
כְּמָה דְּאִינּוּן שִׁבְעָה רְקִיעִין, וְאִית אַחֲרָנִין דְּדַבְקֵי בְּהוּ, וּמִתְפַּשְּׁטֵי וְנַפְקֵי מִנַּיְיהוּ, הָכִי נָמֵי אִית הֲבָלִים אַחֲרָנִין, דְּמִתְפַּשְּׁטֵי וְנַפְקֵי מֵאִלֵּין, וְכֻלְּהוּ אָמַר שְׁלֹמֹה.
As there are seven firmaments, with others cleaving to them and issuing from them, so there are seven habalim and others emanating from these, and Solomon in his wisdom referred to them all
Zohar — Vocalized Zohar, Israel 2013, via Sefaria
English: The Zohar — Soncino Press, London 1933 (public domain)